waves film review

“ American Beauty ” is one of the most notable given its Oscar success, but this was a … What’s inarguable throughout, however, is Shults’s aesthetic ability, and Waves is one of the most visually startling films I’ve seen all year. Waves: Film Review Directed by Trey Edward Shults, Waves presents a metaphor for emotional tides of and the ripple effect these can cause. Waves review: Heightened, emotional movie anchored by extraordinary performances If you can, see this new releasemovie, Waves, at a cinema because it deserve to … This emotional typhoon unleashed in Waves is the work of Trey Edward Shults, 31, the Texas-born writer-director marked as a … It’s one of many filmmaking choices that impact how “Waves” gets under your skin, sometimes without you even knowing it, along with the color palette changes and the effective use of a tension-raising score by Atticus Ross & Trent Reznor. I was so wrapped up in the first half that I found myself trying to force myself back on track after it started to derail but the script’s undercooked family dynamic and simplistic philosophy gave me little to hold on to. “Waves” could also just as accurately be called “Ripples.” It’s about how a series of compounding very bad decisions can ultimately impact good ones. Shults’ camera, guided by his regular cinematographer Drew Daniels, glides through the life of a handsome, happy, successful Florida teen named Tyler (Kelvin Harrison Jr.). The majority of the first half is almost unbearably stressful, a sensory overload matched with raw, devastating work from Harrison, who played another student troubled by the pressure of black excellence in this year’s haunting thriller Luce. “Waves” is visually daring in ways that will make it perfect for year-end montages about the best films of 2019, but what stuns me most is how much Shults, even at just 30, has found a way to balance the lyrical and the human. But his shoulder is hurting, more than he’s willing to admit, and he’s not sleeping enough, a hectic schedule that’s proving harder and harder to maintain. Brian Tallerico is the Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. Tyler (Kelvin Harrison Jr) is an 18-year-old nearing the end of high school with pressure from all angles. Waves review — stylish family melodrama. Waves is set against the colourful urban landscape of tropical Southern Florida. Kevin Maher. The first one will haunt me even if the second will fade. (In Telluride, Toronto film festivals.) His girlfriend (Alexa Demie) loves him but is concerned about their future after some troubling news. There are two movies playing out within Waves, the third offering from the rising indie wunderkind Trey Edward Shults, perhaps not surprising to anyone familiar with his previous two efforts. Both films are the work of an ambitious, often audacious film-maker tasking himself with a great deal but effortlessly rising to the challenge and with his latest film, already lauded at this year’s Telluride film festival, he’s aiming for something even bigger. Waves is showing at the Toronto film festival and will be released in the US on 1 November, with a UK date yet to be announced. Few young actresses have been able to convey so much emotion with a worried look or warm embrace. To explain the hows and whys would be a spoiler but the lens moves to Tyler’s sister, played by the extremely engaging Taylor Russell, who falls for an awkward fellow student, played by an infinitely charming Lucas Hedges. There is a rhythmic, pulsating poetry in observing Tyler as the protagonist, within a sensual Florida setting, but this is not merely a coming of age tale as an ill fated decision transforms the lives of all that we come into contact with in Waves. Waves is showing at the Toronto film festival and will be released in the US on 1 November, with a UK date yet to be announced, Honey Boy review – Shia LaBeouf turns therapy into big-screen drama. Reviewed by Damien Straker 17th of July 2020 Universal presents a film by Trey Edward Shults Produced by Kevin Turen, Jessica Row, and Trey Edward Shults Written by Trey Edward Shults Starring Kelvin Harrison Jr., Taylor Russell, Sterling K. Brown, Alexa Demie, Renée Elise Goldsberry, and Lucas Hedges Music by Trent Reznor and Atticus Ross Sure, he butts head with a stern father named Ronald (Sterling K. Brown), but dad points out that young black men have to work ten times harder than their white counterparts. It’s a drama that wants to deal with big issues like toxic masculinity, grief, forgiveness and love, although lacks the insight to do so in a way that understands what they really mean. When we’re 18, we think we’re invincible, especially in the case of star athletes—Tyler literally shouts “I cannot be taken down” with his teammates before a wrestling match. Already in a devastated place emotionally, he fractures further, and “Waves” hurtles toward tragedy, before picking itself up and becoming another film altogether. A beautifully made drama goes to thrilling heights, thanks largely to an incredible performance from Kelvin Harrison Jr, but then struggles on the way down, Last modified on Fri 6 Sep 2019 17.33 EDT. It’s one that carefully considers all technical decisions – the sound design here is fantastic too—but then grounds it all in character. Film Review: ‘Waves’ Posted on 2019-11-11 In classical Hollywood cinema, most movies rush forward, like a river or roller coaster, along a steady course toward a certain objective. We’re sure it’s nowhere good but the specifics are best kept in the dark as Shults plays on our fears with horrifying precision. Waves' power is inseparable from its intricate aesthetic layers. January 21, 2020 | Full Review… Pamela Hutchinson Taylor Russell as Emily, whose relationship becomes the focus of the film. And Brown has a couple scenes that reveal the depth of character he’s found here as well. Tyler’s sister is a sweet girl named Emily (Taylor Russell) and he has a supportive stepmother named Catherine (Renee Elise Goldsberry) and a girlfriend named Alexis (Alexa Demie). And then he finds out Alexis is pregnant. Both films are the work of an ambitious, often audacious film-maker tasking himself with a great deal but effortlessly rising to the challenge and with his latest film, already lauded at this year’s Telluride film festival, he’s aiming for something even bigger. ... Now, with ‘Waves’, he obliterates a hardworking Florida family before delivering some nearly cosmic forgiveness in the movie’s second half. by Joe Lipsett. Waves is a family drama that is all dazzle and no thought – review Independent culture newsletter The best in film, music, TV & radio straight to your inbox every week So there are two films here: one is frightening and poignant and the other tender but slight. Running time: 135 MIN. She only has a few scenes before she’s asked to carry some heavy emotional weight, but she carries it gracefully and movingly. Read full review Isolated at High School and harassed on social media because of what her brother has done, she is befriended by a kind boy called Luke (Lucas Hedges and becomes his girlfriend. FILM REVIEW. here are two movies playing out within Waves, the third offering from the rising indie wunderkind Trey Edward Shults, perhaps not surprising to anyone familiar with his previous two efforts. So he pops the odd prescription pill now and again, just to ease things a little, a casual habit that slowly grows out of control. Even after the one-two punch of “Krisha” and “It Comes at Night,” “Waves” is unexpectedly ambitious and confident, the work of a filmmaker in complete control of his talents and using them to challenge himself. It tells the story of how one seemingly idyllic African American family quickly fell apart. It’s best to limit your knowledge of what happens before you take a seat, much of the film’s growing unease tied to wondering exactly where Tyler is taking us. “Waves” is a patient, long film, but Shults pays off that patience with the final half-hour, which contains the kind of emotional moments that would feel manipulative and melodramatic in a lesser work but resonate here because of how much we know about these characters. Not unlike a novel that switches protagonist after the first half, we realize that this has never been only Tyler’s story. A shoulder injury could derail his senior year and even college prospects, and Tyler does not have the support structure or skill set to deal with his life’s plan being entirely dismantled. His father (Sterling K Brown) is a well-meaning disciplinarian who wants the best for him even if that means pushing him to his limits. But even those mistakes can lead to grace, forgiveness, and beauty. He seems like a man who a future therapist will call abusive but who honestly believes he’s doing what it takes to make his son successful. Tyler’s sister is a sweet girl named Emily (Taylor Russell) and he has a supportive stepmother named Catherine (Renee Elise Goldsberry) and a girlfriend named Alexis (Alexa Demie). Like a lot of great dramas, you can see the backstory work done by the actors. Some will compare it to Barry Jenkins’ work—and the Florida setting adds to that—but Shults has his own voice. Waves begins with such confidence and bombast that I found myself gripped to the seat, transfixed both by Shults’s bravura film-making and also by Harrison’s barnstorming performance. Waves isn’t merely a film about teenagers, it’s virtually a teenager in film form. This review was filed from the Toronto International Film Festival on September 6th. Traces the journey of a suburban family - led by a well-intentioned but domineering father - as they navigate love, forgiveness, and coming together in the aftermath of a loss. Waves was supposed to be the indie film that broke through into award season after winning over critics on the festival circuit, although the buzz surrounding it faded shortly after release. In the late ‘90s and early ‘00s, there were waves of movies about obnoxious, well-off white dudes learning a lesson about their false priorities and weak moral centers. Young actresses have been able to convey so much emotion with a worried look or warm embrace showing and... Cinematic panic attack motion of youth and its boundless joy technical decisions – the sound here! Schults ’ third film successful athlete in a loving relationship Alexa Demie reunion between. S story Reviewed at Rodeo Screening Room, Los Angeles, Aug. 27, 2019 with Kelvin Jr.! 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